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Anicka Yi
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Emile Hyperion Dubuisson

Anicka Yi, Odor in the Court (2015) in 7,070,430K of Digital Spit, Kunsthalle Basel, 2015

Anicka Yi, 7,070,430K of Digital Spit, A Memoir, 2015 (Editon von/of 500)

Anicka Yi, Installationsansicht/Installation view 7,070,430K of Digital Spit, Kunsthalle Basel, 2015

Anicka Yi, Of All Things Orange or Macedonian Wine (2015) in 7,070,430K of Digital Spit, Kunsthalle Basel, 2015

Anicka Yi, The Last Diamond (2015) in 7,070,430K of Digital Spit, Kunsthalle Basel, 2015 Anicka_Yi_

Anicka Yi, Installation view 7,070,430K of Digital Spit, Kunsthalle Basel, 2015

Anicka Yi, Detail, Odor in the Court (2015) in 7,070,430K of Digital Spit, Kunsthalle Basel, 2015

Anicka Yi

7,070,430K of DIGITAL SPIT, Kunsthalle Basel, 2015

 

What does forgetting look like? Smell like? Anicka Yi’s exhibition 7,070,430K of Digital Spit at Kunsthalle Basel takes the attempt to forget not so much as a subject or a theme, but as an aesthetic operation. The show is a coda to Yi’s last few years of intense artistic production.
That production was built around perishable substances (tempura-fried owers, recalled powdered milk, monosodium gluta- mate crystals, snail excretions) juxtaposed with their opposites (seemingly indestructible plastics, steel pots, chrome dumbbells) and often embedded within glycerin, resin, or hair gel. Her combinations testify as much to her adventurous chemical experimentation as to the psychological charge (desire, longing, loss) she imbues things with.

http://www.kunsthallebasel.ch/en/exhibition/anicka-yi/


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